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Sarah Anne Johnson | Woodland

Sarah Anne Johnson | Woodland

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  • Sarah Anne Johnson incorporates paint and other materials into her photographs of nature. A sense of connecting and belonging to the landscape and an ongoing questioning of photographic representation inform her new mixed media work depicting trees. In the viewing room, a video of the artist in her studio in Winnipeg will introduce sources of her recent work and provide insight into her art-making practice. Images of never-before-seen new artworks slated for Johnson’s upcoming exhibition at the gallery will be on view.

     

    For the past two years, Sarah Anne Johnson has taken photographs in the forests of her native Manitoba. These printed photographs of trees develop from Johnson’s feelings of intimacy and integration with the natural world. From indigenous societies who preserve ways of knowing the world in relationship to the land, to modern scientific researchers testing the ability of trees to communicate intelligently, Johnson draws inspiration from the transcendent and healing properties of nature. After photographing the trees, Johnson makes pigment prints and works intuitively to transform the prints into active grounds for her mixed media pieces, applying both fine art and unconventional materials such as paint, photo-spotting ink and gold or brass leaf across their surfaces.

     

    The painted photographs at times exhibit dense grids of dots and dashes; small, biomorphic shapes stenciled in acrylic that float on the surface of the photograph; or as in CDMC, 2020, triangular stains of oil paint that have been painted freehand, to trace the negative space between tree branches and simulate stained glass windows in houses of worship. Johnson’s added forms represent with paint and brush what the eye and camera cannot apprehend; not only communication between plants, but, just as importantly, her material and spiritual experience of the landscape. “I do this to create a more honest image,” says Johnson. “To show not just what I saw, but how I feel about what I saw.”

    Pigment print of a forest with Oil Paint, Acrylic Paint and Brass/Gold Leaf
  • Installation View - Woodland, Yossi Milo Gallery, November 2020
    • DTAW2, 2020
      DTAW2, 2020
    • PTODG2, 2020
      PTODG2, 2020
    • PTYG3, 2020
      PTYG3, 2020
    • Pigment Print with Oil Paint and Gold Leaf
      EBJF, 2020
    • PITFD2, 2020
      PITFD2, 2020
    • Pigment print of a forest with Oil Paint, Acrylic Paint and Brass/Gold Leaf
      PTAT, 2020
  • Installation View - Woodland, Yossi Milo Gallery, November 2020
    • WBSSG, 2020
      WBSSG, 2020
    • GSWH, 2020
      GSWH, 2020
    • IBSJE, 2020
      IBSJE, 2020
    • STEC, 2020
      STEC, 2020
    • STAWG, 2020
      STAWG, 2020
    • STPYP, 2020
      STPYP, 2020
    • NTNC3, 2020
      NTNC3, 2020
    • PSSWE, 2020
      PSSWE, 2020
    • LOLA1, 2020
      LOLA1, 2020
    • PYTB, 2020
      PYTB, 2020
    • Pigment Print of a Forest with Acrylic Paint
      CPIP, 2020
    • PPPW, 2020
      PPPW, 2020
  • Work by Sarah Anne Johnson has been exhibited at the Metropolitan Museum of Art, New York; Solomon R. Guggenheim Museum, New York; Massachusetts Museum of Contemporary Art, North Adams, MA; Fondation Cartier pour l'Art Contemporain, Paris; National Gallery of Canada, Ottawa; Plug In Institute of Contemporary Art, Winnipeg; Art Gallery of Ontario, Toronto; Contemporary Art Museum, Raleigh, NC; the 5th Biennale de Montréal; Art Gallery of Nova Scotia, Halifax; and the National Gallery of Victoria, Melbourne, among numerous other institutions. She received her MFA at Yale University, after earning her BFA from the University of Manitoba. Johnson was born in 1976 in Winnipeg in Manitoba, Canada, where she currently resides.

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Yossi Milo Gallery | 245 Tenth Avenue, New York, NY | 212-414-0370

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